The Urge, 2022 (mixed media installatie)
Oscar Peters’ kinetic installations set everything in motion. Roaring, raging, and flapping, they inevitably give you some kind of gut feeling. There is something menacing about the rattling constructions as if things could go wrong at any moment, yet at the same time, the works are fun, playful, and carefree. For COME ALIVE, the artist will make an installation based on erotic movements, associating food with genitals. Not without any self-irony, the artist touches on the vulnerability of the male urge to perform that is implicit in the one-dimensional interpretation of the sex act.